Monday, May 26, 2008

Chris Knight @ Gruene Hall - May 24, 2008

Memorial Day weekend I ended up at my dad's house in New Braunfels, TX, and it's just about two miles from Gruene Hall - one of my favorite hang outs. It claims to be "Texas' oldest dance hall," and that may very well be true. The honky-tonk was built in 1878 and adding to it's historical charm, are dozens of autographed headshots of past performers. My favorite is one of Hank Thompson in his early thirties.

We walked in at 10.30 and meandered a bit checking out the history on the walls before grabbing a couple of beers. I had my usual while my friend ordered a Coors Light; evidently that's a West Texas favorite. Neither of us had heard of Chris Knight and we didn't hear a lick of the opener, but who cared? It was Saturday night and a three day weekend. The place was packed with river rats, frat boys, and a few locals alike. There sure wasn't anything special about the band, but the vibe was right and the company was excellent.

The large crowd was well behaved and only seemed to get a bit fired up when Chris slurred some Texas nonsense composed around the word "fuck." It just ain't no country otherwise, right y'all? It's probably a good thing Gruene Hall only sells beer and wine. The band played for a solid two hours while a few danced but most just drank. Gruene Hall is always a hill country favorite no matter who's playing; it's just a bonus it's so close to my dad's house.

Saturday, March 29, 2008

Les Claypool & Tim Fite @ Warehouse Live, Houston - March 28, 2008

I started off by only catching the tail end of Tim Fite. The last two songs were musically off, and the two man band was no fun to look at. I did happen to speak with two people who both recently caught Tim at SXSW and were anxious to see him open for Les Claypool. Both laid claim to a really great comedic show. Too bad I didn't do my usual homework and I didn't get to the concert sooner.

Les Claypool faithfully gave an inspirational two hour performance with expert slap 'n tap bass lines. He's definitely perfected his distinct playing style on unique eye-catching basses, like the bassjo, whamola, and the rainbow bass. The harmony was jazz, jam band, and of course, Primus influenced. It was an awesome fusion undoubtedly stemming from Les' Oysterhead days.

Besides his definitive bass playing style and instruments, Claypool also captivates by wearing masks. Who doesn't love the mysterious quality of a mask? Ironically, it allures such an intimate feeling of closeness. The first of four was a cheap masquerade half-mask with an extra long nose. There was also a pig, monkey, and a flat-top which looked like a mullet with his long hair. Les eventually nailed the fast tempo encore on the whamola à la maskless.

Accompanying Leslie were Skerik on the sax, Mike Dillon on xylophones, and Paulo Baldi on drums accented with two giant tiger heads. Skerik even busted out a recorder for a bit. The three wore matching white long sleeved, high-necked shirts with some sort of small red pattern (circles or diamonds perhaps?), while Les wore all black. His turn-of-the-century style was adorned with a felt hat, 6 button pinstriped vest, long sleeved shirt adorned with a fancy piped 6 button cuff, and belted slacks. Claypool even mentioned that he had to buy new "duds" that afternoon because a dry cleaner in Dallas left his clothes dashed with itching powder. I youtubed the clips of the show last night at the House of Blues and sure enough, he was wearing a similar dark colored costume while the other three wore leaf patterned long sleeved shirts.

I wondered why there was an older generation of concert goers there; Primus has only been noticed for barely over a decade (even though they've been around since the mid-eighties). It's because Claypool is greatly influenced by old-schoolers like Larry Graham and jazz musician, Carl Thompson. Les blurs the lines and fuses genres of rock, jazz, and hippie music to name a few. He's gaining popularity in several musical circles and constantly maintains side projects. Les Claypool is a virtuoso outside his zone and has worked with the likes of Gov't Mule, Trey Anastasio, and Tom Waits. Clever? Absolutely.

Wednesday, March 19, 2008

Gogol Bordello @ The Meridian, Houston - March 18, 2008

This was an awesome energy packed concert - pretty fun for a concert in Houston. Gogol has been described as "gypsy punk" and I'd say that's as close to a description as any, though Mr. Hütz would say the band doesn't have any sort of style but their own. There was an accordion, "Willie Nelson" on violin, and two cute girls jumping around in football tights. Eugene was dressed in tons of layers for some odd reason and by the third song, he was shirtless. On that same note, the whole room was engaged and stuffy with body heat. I had my typical couple of Lonestars and did alot of jumping and dancing myself. The vibe was fantastic and the band threw in three or four metal riffs; Eugene's a huge Slayer fan. And the encore from 10.45 til 12.30 lasted just as long as the set with only a 10 minute break between the two. Good times, my friends, good times.

Sunday, March 16, 2008

New Monsoon @ Last Concert Cafe, Houston - March 15, 2008

I wasn't actually planning to see New Monsoon last night, and I definitely wasn't dressed (down) accordingly. Eh, who cared? A Lonestar, a seat, and I would be set. I've known this band for almost four years now, so I headed to the Last Concert Cafe for some great familiar music.

The venue is set up like somewhat of an outdoor urban oasis right next to the highway, but you'll soon forget that when the music starts. There isn't a sign, but there are year round Christmas lights, traffic in and out, and the entrance door is usually propped open. The stage is a hut with palm trees on either side and a straw fence encloses the property. The place is a laid back Mexican restaurant; so if you really wanted to skip the cover charge, you could easily go for dinner and grab a table outside.

The cover for New Monsoon was $15. Once I got my wristband, I talked to Don, the tour manager, for a short bit. He told me that Marty is now a Blue Man in Las Vegas. He got just want he wanted - the quarterback position right in the center. That would be quite an experience for any musician. Bo said hello and we chatted about the Old Settler's Festival and mutual friends. I'm glad I decided to stop by.

If you don't already know, New Monsoon is a jam band from San Francisco. They formed in 1998 and seem to be on tour all of the time. I think jam bands typically don't follow a distinguishable pattern, but New Monsoon puts forth an awesome beat in a pattern I can easily follow. I can hear the band go back and forth between two rhythms in four counts and eight counts so I'm not completely lost. If you're not quite sure about the whole jam band scene, this is a great band to start with, though hippy scenesters might disagree. They play long concerts, great beats, and are super nice guys. This ain't no punk show, yo.

http://www.newmonsoon.com/

Tuesday, February 26, 2008

Joe Lally (Fugazi) & Edie Sedgwick @ Walter's on Washington, Houston - February, 25, 2008

Hailing from New York, Edie Sedgwick gave the tiny audience half an hour of avant-garde hodgepodge. The four piece mismatched band was fueled by the lead singer dragged out to the likes of well, Andy Warhol's muse. He was virile in his short dress, black pantyhose, wig, and beard, just like the band's current myspace picture. Crouching, leaping, and sashaying all over the stage, the entertainer vigorously sang songs about different celebrity icons of sorts. The key-board player bopped away clad in emo style and the darkly dressed bassist stood solemnly while the drummer could only rely on his lack of experience to draw attention. We were also delighted with videos for each song on the old-school television stage left. My favorite was the bloodied Carrie loop so fantastically paired with a song about telekinesis. Oh, if I could only be on that tour van!

I counted exactly 30 people in the audience after Joe Lally's second song. That was some decent appreciation from just a few admirers and the band smiled graciously. They nailed the one blues infused rock song and had just the right amount of psychedelic substance. Their predominantly post punk sound was rich in guitar noise. The expert player shredded the guitar. The five pedals and two knobs undoubtedly produced their share of effects. A metal finger nail file and a bow were also included in the mix. The drummer added his two sets of mallets and metal mixing bowl to the infusion. Joe had a very demure and humble demeanor. The three musicians looked and played great together - there was no quirkiness or head bopping with these guys. These were professional musicians. My friend described Joe Lally as refined from his hard punk Fugazi days. It was nice to hear the drumming and bass riffs in a different setting. It's obvious these three know what they're doing and they look great doing it.

We had a discussion about which was the better band afterwards and why we thought they chose to tour together. For me, the choice was obvious. Not so much for my friend. He liked both bands equally for different reasons. I could see the parallels he drew from his own experience as a non-instrument playing lead singer of a cover band. "People love gimmicks," he said. I wholeheartedly agree - if the talent is there.

Wig, check. Dress, check. Hose, check. Make-up, check. Mike and his guitar 50 pound television, check...

Check out Edie Sedgwick @ www.myspace.com/ediesedgwick and @ http://www.ediesedgwick.biz/

www.myspace.com/josephlally and http://www.joelally.com/

Friday, February 22, 2008

G Love & the Special Sauce & Tristan Prettyman @ Warehouse Live, Houston - February 21, 2008

We arrived to Tristan on stage pickin' and singin' with her bassist and drummer just after 9 P.M. After grabbing a couple of Lonestars, we headed to the middle of the crowd. The audience seemed to be unusually boisterous; it appeared very few people were really digging her. There was also very little crowd appreciation between songs. I have to admit I wasn't impressed with her seemingly continuous song for the 45 minute set. It was mundane.

People started lighting up the minute G Love took the stage. G looked suave with pristine hair whereas Tristan could have cared less about her appearance. This is my second time to see these guys live, and their poise was definitely more subdued this time around. The crowd filled in and filled up the air. It's that sexy feel good bluesy groove for the specific partakers. I'm left to wonder if most of the goers are attracted to the genre solely for token appreciation...

My ticket cost $0.

Suggestions: Xavier Rudd, Donavon Frankenreiter, Ben Harper, Jack Johnson, and Mission to the Sea

Thursday, January 31, 2008

West Texas - January 25-30, 2008

We decided to drive straight to Marfa only stopping for food and gas along the way; that's where our West Texas trip would really begin. We headed out on I-10 at 6.30 A.M., making our first real pit stop to stretch our legs and eat in Junction, TX. We both ordered the hamburger steak lunch special at the local hash house, Sunny Cafe & Bakery. After ogling the mountainous displays on the countertop, we couldn't pass up a slice of coconut pie to go with a much needed picker-upper. We started feeling a bit rambunctious and explored Junction a bit before heading further west.

The next stop was in Ft. Stockton where the only thing that impressed me was the country's largest road runner. We hopped on 67 South just past the town and pushed on into Marfa, arriving at 5.30 P.M. When we arrived, we first toured an old funeral home which has grandeur visions of becoming a live music venue, Padre's. David has the place pretty much gutted except for the office already built in the back that sufficed quite nicely as our crash pad for the evening. Before bedtime, we enjoyed the coffee shop on Main nestled between Marfa Book Co and Marfa Radio, ate Mexican food at Mondo's, and checked out the Marfa lights. The next morning, David confirmed we did indeed witness the mysterious phenomena though I'm still not convinced I saw any dancing lights in the far distance.

We started the next morning off right at the Bread & Breakfast in Alpine. Next, we perused through Ringtail Records where I spotted The Velvet Underground's live album, 1969, for $5o; I don't know about you, but I think that's a bit steep. They had several records in the $100+ category and even more you would naturally forgo at a thrift store for 5 bucks a pop. You'd think records are a rare treasure in west Texas; well, maybe. We then photographed Granada Theater which is unfortunately, no longer in operation. After tooling around Alpine, it was time for our next adventure.

Once back in Marfa, we bought groceries and a couple bottles of wine at Pueblo Grocery; it was time to go camping. We headed down scenic 67S finding roadrunners and white tailed deer. We even spotted the most handsome buck sporting a rack so big, an avid hunter would startle. After 30 miles of paved road, 67S turns into Pinto Canyon Road - 20 miles of gravel to Chinati Hot Springs. There couldn't be a more beautiful, winding, hilly, desert path in west Texas. Once checking into Chinati, we set up camp, hiked, cooked dinner (what could be more appropriate than steak and potatoes?), made a fire, and enjoyed the 110 degree natural spring with a fine bottle of Texas white wine - a west Texas camper's oasis for sure.

After a spring fed shower, hearty breakfast and coffee, we followed Highway 170 to Candalaria Sunday morning. We drove straight through town and happened upon an extremely muddy path that I just had to explore. It ended in a turn-around about a quarter of a mile down. There was a well worn footbridge over the Tex-Mex border bearing a sign that stated it was illegal to cross the bridge and return at that same point. Of course we crossed the Rio Grande. There was a similar situation on the other side with a handful of parked work trucks with Texas and Mexico plates. We then trucked on down the highway.

We stopped at Rusty's general store in Ruidosa and grabbed a couple of Mexican Coca-Colas. He fondly spoke of his family photos on display; Rusty's ancestors were local ranchers. The store owner gave us a tour of the property speaking of the old adobe church next door, his tire wall architecture, and the beer can addition on the front. He's got quite a green thumb to boot.

We ventured into Ojinaga, MX for all of about five minutes checking out the wares at a grocery store and spent forty minutes in the border patrol line upon our U.S. return. We passed through Presidio (where low riders and gaudy rims are prevalent) and landed at Long Draw Pizza in Terlingua for dinner. Too bad it was nightfall for this part of the drive; the curvy highway was ribbing its roadside scenery. $53.96 got us a seventies era room in the double-wide addition of the Easter Egg/Chisos Mining Motel; it even came with a broken heater. Eh, who cared? It was exactly what we were seeking on this trip. We were even offered Lonestar and cigarettes for purchase when we got our key.

I was anxious to hit some local bars, so we set out for a night on the town. My first and only Carta Blanca was served at the Starlight Theatre by the creepy convict-esque bartender who also let me taste their delicious frozen prickly pear margarita. I'll definitely be back for 2 for 1 burgers and live music on a Monday night; it's all the rage amongst scenesters in the Big Bend area. Next stop: La Kiva. The bar was obviously dark inside and had terrific decor - decked out with solid wood creating a comfortable ambiance. The bar selection was excellent offering several tequilas to choose from, and the patrons were all welcoming locals. A couple of beers and a shot later, I was done for.

Monday morning we bought coffee and a great slice of zucchini bread at a local spot and went just up the road to Terlingua Ghost Town. I spent alot of time looking at all the cool bric a brac at the Terlingua book & gift store. There are lots of items stamped with Davíd Mendoza's artwork; he's got a fantastic Día de los Muertos style, and you find some of his paintings hanging around the town. I just had to have a nostalgic horned lizard magnet (and my sister's looks so cool on her fridge) along with a few books from the awesome Texas selection. One of my purchases was "Tales from the Terlingua Porch" by Blair Pittman, and coincidentally, he happened to be sitting out front as we exited. What a pleasant treat right there on "the porch" - some great conversation, pictures, and a signed copy. Pittman has legendarily chronicled Texas as well as photojournalism for the Houston Chronicle, National Geographic, and Smithsonian to name a few.

The Chili Pepper Cafe served up some very delicious Mexican food for lunch. There were several posters of past Terlingua chili pepper cookoffs; the national championship cookoff is held during the first weekend in November and draws the best of the bunch. After hitting the post office and The Mall for groceries in Study Butte, we left for Big Bend.

Once at the Big Bend HQ, we saw none other than Mr. Pittman talking with a soon to find out, distant relative! Though not my relative, I relished the excitement in the fresh family stories. Enjoying our time til closing, we successfully raced daylight to get our camp set up at Mt. Nugent. I momentarily convinced myself that a boulder at the top of the mountain was indeed a very still bear after being told to take extra precaution since we were camping at the edge of bear country. I was acclimated in no time thankfully.

We cooked pancakes in the morning and decided on a very loose schedule for our park excursion beginning with a small hike around Hot Springs. Afterwards, there was an interesting 4X4 custom expedition motor home with German plates and stickers parked next to my Subie. This Ormocar looked like it could roll through a war unscathed with all the comforts of home right inside. The curiosity got the best of me, so I knocked on the door and mid-aged German native entertained my inquisitiveness:

me (acting as a nitwitted tourist): "How did you get this thing over here?"

man I barged in on: "Easy, I shipped it."

me: "Wasn't that expensive?"

man: "No, I made it."

me: "Made it? Oh, you mean you own the company?"

man: "Yes."

We went to the Rio Grand Valley and the Window Trail next. The trail is a 2.2 mile hike one way from the bottom of the campground near it. It was a very pleasant hike through the desert vegetation, rocks, and water. The view from the top overlooking the canyon was spectacular; it's also quite windy the closer you get to the edge so hold on to your hat. The day ended at the camp with utter quietness and a serene view of the sunset.

Wednesday morning, we awoke to see the sunrise over the mountains and promptly went back to sleep for a bit; later it would be time to pack up and say our goodbyes. The next stop was in Marathon for gas. We came across two border patrol stations on this leg of the trip, and I found it peculiar we were stopped by Mexicans. From there we followed 90E to Del Rio, stopping for some fresh air at Seminole Canyon State Park and the bridge over the Pecos along the way. Our trip was winding down, and we were now on a mission for a west Texas steakhouse.

It was dinnertime when we rolled into Del Rio and noticed Wright's Steak House. This was the place for my rare filet, baked potato, and a glass of cheap red wine. It was a simple restaurant and an excellent way to wrap up the first of our Texas tours. Our vacation probably didn't stray far from any other typical west Texas adventure, but it was sentimental, heartfelt, and all mine. Texas draws you in, captivates you, and effortlessly makes you feel right at home; I'm proud to be a Texan.